Wind Imagery in Shijing: Sacrificing to the Wind God in Early China
Shijing 詩經 is the earliest collection of Chinese poems and songs traditionally considered to be compiled by Confucius. Scholarship on this collection deems the widespread wind imagery contained in it to be either a metaphor for males or a medium of emotional expression. However, the religious ideas...
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| Published in: | Religions |
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| Main Authors: | , |
| Format: | Articles |
| Published: |
2023
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| Subjects: | |
| Online Access: | View article (DOI: 10.3390/rel14010102) |
| Summary: | Shijing 詩經 is the earliest collection of Chinese poems and songs traditionally considered to be compiled by Confucius. Scholarship on this collection deems the widespread wind imagery contained in it to be either a metaphor for males or a medium of emotional expression. However, the religious ideas involved in the sacrifices to the wind gods in early China, which are, in fact, deeply linked with the “wind” in Shijing, warrant further consideration. This article focuses on the relation between the “wind” in Shijing and the religious ideas involved in sacrificial rites (“ningfeng 寧風” and “difeng 禘風”) to the wind gods. Drawing upon the history of wind disasters and sacrifices to the wind gods in early China, this article suggests that the pieces entitled “Gufeng 谷風” (included in the Xiaoya 小雅 section) and “Herensi 何人斯” provide descriptions of “ningfeng” (appeasing unwanted wind). Moreover, it argues that the pieces entitled “Kaifeng 凱風” and “Tuoxi 蘀兮” depict a genial wind in connection with harvest, childbearing, and prosperity involved in “difeng”. |
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| Physical Description: | 102 |
| ISSN: | 2077-1444 |
| DOI: | 10.3390/rel14010102 |