OS TRÊS PREFÁCIOS DA CLASSIFICAÇÃO DOS POETAS, POR ZHONG RONG：TRADUÇÃO,NOTAS E COMENTÁRIO鐘嶸《詩品‧三序》翻譯及註釋
The article presents a full translation, accompanied by notes and commentary, of the "three prefaces" of Zhong Rong's *Classification of Poets* (*Shipin*), framing them as a critical device that, beyond organizing authors, establishes a historiographical model of Chinese poetry between the Han dynas...
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| Published in: | Review of Culture |
|---|---|
| Main Author: | |
| Format: | Articles |
| Published: |
Instituto Cultural de Macau
2017
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| Subjects: | |
| Online Access: | https://www.icm.gov.mo/rc/viewer/pdfViewerParts/40054/2270 |
| _version_ | 1877196269919666176 |
|---|---|
| author | Giorgio Sinedino |
| author_autocomplete | Giorgio Sinedino |
| author_browse | Giorgio Sinedino |
| author_facet | Giorgio Sinedino Giorgio Sinedino |
| author_sort | Giorgio Sinedino |
| container_title | Review of Culture |
| container_title_str | Review of Culture |
| container_volume | 54 |
| container_volume_str | 54 |
| description | The article presents a full translation, accompanied by notes and commentary, of the "three prefaces" of Zhong Rong's *Classification of Poets* (*Shipin*), framing them as a critical device that, beyond organizing authors, establishes a historiographical model of Chinese poetry between the Han dynasty and the Southern Liang. The investigation supports the thesis that these prefaces articulate (i) formal principles of compilation—chronological ordering and evaluative restriction to deceased authors—and (ii) a theory of poetic language that relativizes the value of "use of facts" and documentary erudition in favor of direct observation and the expression of feeling and nature. Methodologically, the work proposes a continuous reading of the three texts, recognizing structural coherents and incongruities, and reorganizes the traditional sequence to privilege the argumentative progression of Preface II. In its conclusions, the article highlights that, although the work arises from sociopolitical circumstances marked by the author's marginalization, its contribution proved enduring: the progressively acquired authority of the *Classification* derives, above all, from its historical vision and the way it links aesthetic criteria to cultural and institutional contexts. |
| first_indexed | 2026-09-11T02:56:59Z |
| format | Articles |
| genre | Articles |
| genre_facet | Articles |
| hierarchy_browse | Review of Culture{{{_ID_}}}zotero-coll-76L3BRGH |
| hierarchy_parent_id | zotero-coll-76L3BRGH |
| hierarchy_parent_title | Review of Culture |
| hierarchy_sequence | 0000 |
| hierarchy_top_id | zotero-coll-WX87PJHD |
| hierarchy_top_title | News |
| hierarchytype | Default |
| id | zotero-APVPWSKA |
| institution | zotero_group |
| issn | 1682-1106 |
| last_indexed | 2026-09-11T02:56:59Z |
| latest_content_date | 2026-09-11T02:56:59Z |
| publishDate | 2017 |
| publishDateRange | 2017 |
| publishDateSort | 2017 |
| publishPlace | Macau |
| publisher | Instituto Cultural de Macau |
| publisherStr | Instituto Cultural de Macau |
| record_format | zotero |
| spelling | OS TRÊS PREFÁCIOS DA CLASSIFICAÇÃO DOS POETAS, POR ZHONG RONG：TRADUÇÃO,NOTAS E COMENTÁRIO鐘嶸《詩品‧三序》翻譯及註釋 The article presents a full translation, accompanied by notes and commentary, of the "three prefaces" of Zhong Rong's *Classification of Poets* (*Shipin*), framing them as a critical device that, beyond organizing authors, establishes a historiographical model of Chinese poetry between the Han dynasty and the Southern Liang. The investigation supports the thesis that these prefaces articulate (i) formal principles of compilation—chronological ordering and evaluative restriction to deceased authors—and (ii) a theory of poetic language that relativizes the value of "use of facts" and documentary erudition in favor of direct observation and the expression of feeling and nature. Methodologically, the work proposes a continuous reading of the three texts, recognizing structural coherents and incongruities, and reorganizes the traditional sequence to privilege the argumentative progression of Preface II. In its conclusions, the article highlights that, although the work arises from sociopolitical circumstances marked by the author's marginalization, its contribution proved enduring: the progressively acquired authority of the *Classification* derives, above all, from its historical vision and the way it links aesthetic criteria to cultural and institutional contexts. Instituto Cultural de Macau Macau Review of Culture Articles 2017 Giorgio Sinedino |
| spellingShingle | OS TRÊS PREFÁCIOS DA CLASSIFICAÇÃO DOS POETAS, POR ZHONG RONG：TRADUÇÃO,NOTAS E COMENTÁRIO鐘嶸《詩品‧三序》翻譯及註釋 Giorgio Sinedino |
| title | OS TRÊS PREFÁCIOS DA CLASSIFICAÇÃO DOS POETAS, POR ZHONG RONG：TRADUÇÃO,NOTAS E COMENTÁRIO鐘嶸《詩品‧三序》翻譯及註釋 |
| title_autocomplete | OS TRÊS PREFÁCIOS DA CLASSIFICAÇÃO DOS POETAS, POR ZHONG RONG：TRADUÇÃO,NOTAS E COMENTÁRIO鐘嶸《詩品‧三序》翻譯及註釋 |
| title_full | OS TRÊS PREFÁCIOS DA CLASSIFICAÇÃO DOS POETAS, POR ZHONG RONG：TRADUÇÃO,NOTAS E COMENTÁRIO鐘嶸《詩品‧三序》翻譯及註釋 |
| title_fullStr | OS TRÊS PREFÁCIOS DA CLASSIFICAÇÃO DOS POETAS, POR ZHONG RONG：TRADUÇÃO,NOTAS E COMENTÁRIO鐘嶸《詩品‧三序》翻譯及註釋 |
| title_full_unstemmed | OS TRÊS PREFÁCIOS DA CLASSIFICAÇÃO DOS POETAS, POR ZHONG RONG：TRADUÇÃO,NOTAS E COMENTÁRIO鐘嶸《詩品‧三序》翻譯及註釋 |
| title_short | OS TRÊS PREFÁCIOS DA CLASSIFICAÇÃO DOS POETAS, POR ZHONG RONG：TRADUÇÃO,NOTAS E COMENTÁRIO鐘嶸《詩品‧三序》翻譯及註釋 |
| title_sort | os três prefácios da classificação dos poetas, por zhong rong：tradução,notas e comentário鐘嶸《詩品‧三序》翻譯及註釋 |
| url | https://www.icm.gov.mo/rc/viewer/pdfViewerParts/40054/2270 |
| zotero_collection_key | 76L3BRGH |