Ensaio Inicial: O reverso do Cânone: padrões de diletantismo artístico e de exclusividade social

This new text continues to explore the possibility of a critical comparative method applicable to the philosophy/history of Western and Chinese ideas. Drawing on Max Weber’s reflections on the development of musical instruments and their relationship with the advancement of what he calls “rationalit...

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Published in:Review of Culture
Main Author: Giorgio Sinedino
Format: Articles
Published: Instituto Cultural de Macau 2019
Subjects:
Online Access:https://www.icm.gov.mo/rc/viewer/pdfViewerParts/40058/2618
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container_title Review of Culture
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description This new text continues to explore the possibility of a critical comparative method applicable to the philosophy/history of Western and Chinese ideas. Drawing on Max Weber’s reflections on the development of musical instruments and their relationship with the advancement of what he calls “rationality” in the West, it considers the case of the Chinese zither. Furthermore, it refers to the concepts developed by Theodor Adorno to explain his view of music in European society during the first half of the twentieth century, seeking to understand the peculiarities of musical practice and appreciation among the
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spelling Ensaio Inicial: O reverso do Cânone: padrões de diletantismo artístico e de exclusividade social
This new text continues to explore the possibility of a critical comparative method applicable to the philosophy/history of Western and Chinese ideas. Drawing on Max Weber’s reflections on the development of musical instruments and their relationship with the advancement of what he calls “rationality” in the West, it considers the case of the Chinese zither. Furthermore, it refers to the concepts developed by Theodor Adorno to explain his view of music in European society during the first half of the twentieth century, seeking to understand the peculiarities of musical practice and appreciation among the
Instituto Cultural de Macau
Macau
Review of Culture
Articles
2019
Diletantismo artístico 藝術愛好者
Função social da música 音樂的社會功能
Institucionalismo Weberiano 韋伯的制度社會學
Intelectuais 知識分子
Teoria Crítica 批判理論
Giorgio Sinedino
spellingShingle Ensaio Inicial: O reverso do Cânone: padrões de diletantismo artístico e de exclusividade social
Giorgio Sinedino
Diletantismo artístico 藝術愛好者
Função social da música 音樂的社會功能
Institucionalismo Weberiano 韋伯的制度社會學
Intelectuais 知識分子
Teoria Crítica 批判理論
title Ensaio Inicial: O reverso do Cânone: padrões de diletantismo artístico e de exclusividade social
title_autocomplete Ensaio Inicial: O reverso do Cânone: padrões de diletantismo artístico e de exclusividade social
title_full Ensaio Inicial: O reverso do Cânone: padrões de diletantismo artístico e de exclusividade social
title_fullStr Ensaio Inicial: O reverso do Cânone: padrões de diletantismo artístico e de exclusividade social
title_full_unstemmed Ensaio Inicial: O reverso do Cânone: padrões de diletantismo artístico e de exclusividade social
title_short Ensaio Inicial: O reverso do Cânone: padrões de diletantismo artístico e de exclusividade social
title_sort ensaio inicial: o reverso do cânone: padrões de diletantismo artístico e de exclusividade social
topic Diletantismo artístico 藝術愛好者
Função social da música 音樂的社會功能
Institucionalismo Weberiano 韋伯的制度社會學
Intelectuais 知識分子
Teoria Crítica 批判理論
topic_autocomplete Diletantismo artístico 藝術愛好者
Função social da música 音樂的社會功能
Institucionalismo Weberiano 韋伯的制度社會學
Intelectuais 知識分子
Teoria Crítica 批判理論
topic_facet Diletantismo artístico 藝術愛好者
Função social da música 音樂的社會功能
Institucionalismo Weberiano 韋伯的制度社會學
Intelectuais 知識分子
Teoria Crítica 批判理論
url https://www.icm.gov.mo/rc/viewer/pdfViewerParts/40058/2618
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