ANOTAÇÕES SOBRE PINTURAS FAMOSAS DE TODAS AS ÉPOCAS ,DE ZHANG YANYUAN:SELECÇÕES COMENTADAS DO PRIMEIRO ROLO唐張彥遠《歷代名畫記》第一卷要譯及小評

The article by Giorgio Sinedino presents an annotated translation of the first “discourse” (*xu*) of the first scroll of Zhang Yanyuan’s *Record of Famous Paintings of All Ages* (*Lidai Minghua Ji*), a foundational work of pictorial criticism from the Tang dynasty. The central contribution lies in f...

Volledige beschrijving

Bewaard in:
Bibliografische gegevens
Gepubliceerd in:Review of Culture
Hoofdauteur: Giorgio Sinedino
Formaat: Articles
Gepubliceerd in: Instituto Cultural de Macau 2016
Onderwerpen:
Online toegang:https://www.icm.gov.mo/rc/viewer/pdfViewerParts/40051/2253
Tags: Voeg label toe
Geen labels, Wees de eerste die dit record labelt!
_version_ 1877196269979435008
author Giorgio Sinedino
author_autocomplete Giorgio Sinedino
author_browse Giorgio Sinedino
author_facet Giorgio Sinedino
Giorgio Sinedino
author_sort Giorgio Sinedino
container_title Review of Culture
container_title_str Review of Culture
container_volume 51
container_volume_str 51
description The article by Giorgio Sinedino presents an annotated translation of the first “discourse” (*xu*) of the first scroll of Zhang Yanyuan’s *Record of Famous Paintings of All Ages* (*Lidai Minghua Ji*), a foundational work of pictorial criticism from the Tang dynasty. The central contribution lies in framing Zhang’s thesis that painting should be understood as a dimension of the Confucian “canon”: not a mere craft or artisanship, but a form of knowledge capable of participating in moral and political indoctrination, supporting the ordering of social relations, and, by extension, occupying a place equivalent to that of the *Six Classics*. Methodologically, the work combines a full translation of selections from the first scroll with editorial commentaries that guide the reader toward the presuppositions of the Chinese argument, pointing out possible distortions, biases, and singularities of perspective. Zhang’s ideas are interpreted less as an autonomous theoretical innovation and more as a representative synthesis of the intellectual consensus among Confucian circles favorable to painting. As a result, the publication offers not only an initial textual and terminological access to the work, but also a key to understanding the social and historical function of painting in its early stages, within a context of political fragmentation and reconfiguration of the prestige of the arts among literate elites.
first_indexed 2026-09-11T02:56:59Z
format Articles
genre Articles
genre_facet Articles
hierarchy_browse Review of Culture{{{_ID_}}}zotero-coll-76L3BRGH
hierarchy_parent_id zotero-coll-76L3BRGH
hierarchy_parent_title Review of Culture
hierarchy_sequence 0000
hierarchy_top_id zotero-coll-WX87PJHD
hierarchy_top_title News
hierarchytype Default
id zotero-GFRLB82S
institution zotero_group
issn 1682-1106
last_indexed 2026-09-11T02:56:59Z
latest_content_date 2026-09-11T02:56:59Z
publishDate 2016
publishDateRange 2016
publishDateSort 2016
publishPlace Macau
publisher Instituto Cultural de Macau
publisherStr Instituto Cultural de Macau
record_format zotero
spelling ANOTAÇÕES SOBRE PINTURAS FAMOSAS DE TODAS AS ÉPOCAS ,DE ZHANG YANYUAN:SELECÇÕES COMENTADAS DO PRIMEIRO ROLO唐張彥遠《歷代名畫記》第一卷要譯及小評
The article by Giorgio Sinedino presents an annotated translation of the first “discourse” (*xu*) of the first scroll of Zhang Yanyuan’s *Record of Famous Paintings of All Ages* (*Lidai Minghua Ji*), a foundational work of pictorial criticism from the Tang dynasty. The central contribution lies in framing Zhang’s thesis that painting should be understood as a dimension of the Confucian “canon”: not a mere craft or artisanship, but a form of knowledge capable of participating in moral and political indoctrination, supporting the ordering of social relations, and, by extension, occupying a place equivalent to that of the *Six Classics*. Methodologically, the work combines a full translation of selections from the first scroll with editorial commentaries that guide the reader toward the presuppositions of the Chinese argument, pointing out possible distortions, biases, and singularities of perspective. Zhang’s ideas are interpreted less as an autonomous theoretical innovation and more as a representative synthesis of the intellectual consensus among Confucian circles favorable to painting. As a result, the publication offers not only an initial textual and terminological access to the work, but also a key to understanding the social and historical function of painting in its early stages, within a context of political fragmentation and reconfiguration of the prestige of the arts among literate elites.
Instituto Cultural de Macau
Macau
Review of Culture
Articles
2016
Giorgio Sinedino
spellingShingle ANOTAÇÕES SOBRE PINTURAS FAMOSAS DE TODAS AS ÉPOCAS ,DE ZHANG YANYUAN:SELECÇÕES COMENTADAS DO PRIMEIRO ROLO唐張彥遠《歷代名畫記》第一卷要譯及小評
Giorgio Sinedino
title ANOTAÇÕES SOBRE PINTURAS FAMOSAS DE TODAS AS ÉPOCAS ,DE ZHANG YANYUAN:SELECÇÕES COMENTADAS DO PRIMEIRO ROLO唐張彥遠《歷代名畫記》第一卷要譯及小評
title_autocomplete ANOTAÇÕES SOBRE PINTURAS FAMOSAS DE TODAS AS ÉPOCAS ,DE ZHANG YANYUAN:SELECÇÕES COMENTADAS DO PRIMEIRO ROLO唐張彥遠《歷代名畫記》第一卷要譯及小評
title_full ANOTAÇÕES SOBRE PINTURAS FAMOSAS DE TODAS AS ÉPOCAS ,DE ZHANG YANYUAN:SELECÇÕES COMENTADAS DO PRIMEIRO ROLO唐張彥遠《歷代名畫記》第一卷要譯及小評
title_fullStr ANOTAÇÕES SOBRE PINTURAS FAMOSAS DE TODAS AS ÉPOCAS ,DE ZHANG YANYUAN:SELECÇÕES COMENTADAS DO PRIMEIRO ROLO唐張彥遠《歷代名畫記》第一卷要譯及小評
title_full_unstemmed ANOTAÇÕES SOBRE PINTURAS FAMOSAS DE TODAS AS ÉPOCAS ,DE ZHANG YANYUAN:SELECÇÕES COMENTADAS DO PRIMEIRO ROLO唐張彥遠《歷代名畫記》第一卷要譯及小評
title_short ANOTAÇÕES SOBRE PINTURAS FAMOSAS DE TODAS AS ÉPOCAS ,DE ZHANG YANYUAN:SELECÇÕES COMENTADAS DO PRIMEIRO ROLO唐張彥遠《歷代名畫記》第一卷要譯及小評
title_sort anotações sobre pinturas famosas de todas as épocas ,de zhang yanyuan:selecções comentadas do primeiro rolo唐張彥遠《歷代名畫記》第一卷要譯及小評
url https://www.icm.gov.mo/rc/viewer/pdfViewerParts/40051/2253
zotero_collection_key 76L3BRGH