AS DIMENSÕES DO CÂNONE：TEXTOS QUE BALIZARAM A TEORIA DA ARTE NA CHINA IMPERIAL殊途同歸：古代文藝論與經典正統
The article argues that the theory of “art” in imperial China must be understood in terms of its canonical dimensions: heterogeneous texts that, across different dynastic periods, established vocabularies, hierarchies of value, and regimes of legitimacy for poetry, music, and painting. Rather than t...
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| Published in: | Review of Culture |
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| Format: | Articles |
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Instituto Cultural de Macau
2014
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| Online Access: | https://www.icm.gov.mo/rc/viewer/pdfViewerParts/40046/2396 |