POESIA E DIPLOMACIA :CHINA E ÍNDIA EM DOIS POETAS PORTUGUESES CONTEMPORÂNEOS詩歌與外文:兩位葡萄牙人現代詩人筆下的中國和印度
The article analyzes the relations between poetry and diplomacy in the writing of two contemporary Portuguese authors—José Augusto Seabra and Luís Filipe Castro Mendes—proposing that the visibility of the Orient in their work results not from a simple exoticism, but from a cultural mediation sustain...
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| Published in: | Review of Culture |
|---|---|
| Main Author: | |
| Format: | Articles |
| Published: |
Instituto Cultural de Macau
2016
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| Subjects: | |
| Online Access: | https://www.icm.gov.mo/rc/viewer/pdfViewerParts/40051/2246 |
| _version_ | 1877196269988872192 |
|---|---|
| author | Duarte Drumond Braga |
| author_autocomplete | Duarte Drumond Braga |
| author_browse | Duarte Drumond Braga |
| author_facet | Duarte Drumond Braga Duarte Drumond Braga |
| author_sort | Duarte Drumond Braga |
| container_title | Review of Culture |
| container_title_str | Review of Culture |
| container_volume | 51 |
| container_volume_str | 51 |
| description | The article analyzes the relations between poetry and diplomacy in the writing of two contemporary Portuguese authors—José Augusto Seabra and Luís Filipe Castro Mendes—proposing that the visibility of the Orient in their work results not from a simple exoticism, but from a cultural mediation sustained by long genealogies of Luso-Asian presence. Drawing on the idea of "Portuguese literary Orientalism" (in dialogue with the notion of Orientalism formulated by Edward Said), the text argues that the intertextuality organizing the representation of China and India functions as an aesthetic and ideological inheritance: the Orient becomes legible only when reinscribed through canonical figures (notably Camilo Pessanha, but also other lineages linked to the Orient).
Methodologically, the essay privileges comparative reading and close reading of specific poems ("The Ten Thousand Mountains" and "Homage to Pessanha"), articulating them with contexts of textual circulation and with the persistence, in the postcolonial era, of forms of institutionalization of oriental experience by the state apparatus (diplomacy, public functions, and intertextual networks).
It concludes that Seabra and Castro Mendes update a "homage" that, more than reconstituting geographies, reactivates a literary grammar of the Portuguese tradition in order to imagine the Orient as a space of inheritance, loss, and transformation. |
| first_indexed | 2026-09-11T02:56:59Z |
| format | Articles |
| genre | Articles |
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| hierarchy_parent_id | zotero-coll-76L3BRGH |
| hierarchy_parent_title | Review of Culture |
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| hierarchy_top_title | News |
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| issn | 1682-1106 |
| last_indexed | 2026-09-11T02:56:59Z |
| latest_content_date | 2026-09-11T02:56:59Z |
| publishDate | 2016 |
| publishDateRange | 2016 |
| publishDateSort | 2016 |
| publishPlace | Macau |
| publisher | Instituto Cultural de Macau |
| publisherStr | Instituto Cultural de Macau |
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| spelling | POESIA E DIPLOMACIA :CHINA E ÍNDIA EM DOIS POETAS PORTUGUESES CONTEMPORÂNEOS詩歌與外文:兩位葡萄牙人現代詩人筆下的中國和印度 The article analyzes the relations between poetry and diplomacy in the writing of two contemporary Portuguese authors—José Augusto Seabra and Luís Filipe Castro Mendes—proposing that the visibility of the Orient in their work results not from a simple exoticism, but from a cultural mediation sustained by long genealogies of Luso-Asian presence. Drawing on the idea of "Portuguese literary Orientalism" (in dialogue with the notion of Orientalism formulated by Edward Said), the text argues that the intertextuality organizing the representation of China and India functions as an aesthetic and ideological inheritance: the Orient becomes legible only when reinscribed through canonical figures (notably Camilo Pessanha, but also other lineages linked to the Orient). Methodologically, the essay privileges comparative reading and close reading of specific poems ("The Ten Thousand Mountains" and "Homage to Pessanha"), articulating them with contexts of textual circulation and with the persistence, in the postcolonial era, of forms of institutionalization of oriental experience by the state apparatus (diplomacy, public functions, and intertextual networks). It concludes that Seabra and Castro Mendes update a "homage" that, more than reconstituting geographies, reactivates a literary grammar of the Portuguese tradition in order to imagine the Orient as a space of inheritance, loss, and transformation. Instituto Cultural de Macau Macau Review of Culture Articles 2016 Duarte Drumond Braga |
| spellingShingle | POESIA E DIPLOMACIA :CHINA E ÍNDIA EM DOIS POETAS PORTUGUESES CONTEMPORÂNEOS詩歌與外文:兩位葡萄牙人現代詩人筆下的中國和印度 Duarte Drumond Braga |
| title | POESIA E DIPLOMACIA :CHINA E ÍNDIA EM DOIS POETAS PORTUGUESES CONTEMPORÂNEOS詩歌與外文:兩位葡萄牙人現代詩人筆下的中國和印度 |
| title_autocomplete | POESIA E DIPLOMACIA :CHINA E ÍNDIA EM DOIS POETAS PORTUGUESES CONTEMPORÂNEOS詩歌與外文:兩位葡萄牙人現代詩人筆下的中國和印度 |
| title_full | POESIA E DIPLOMACIA :CHINA E ÍNDIA EM DOIS POETAS PORTUGUESES CONTEMPORÂNEOS詩歌與外文:兩位葡萄牙人現代詩人筆下的中國和印度 |
| title_fullStr | POESIA E DIPLOMACIA :CHINA E ÍNDIA EM DOIS POETAS PORTUGUESES CONTEMPORÂNEOS詩歌與外文:兩位葡萄牙人現代詩人筆下的中國和印度 |
| title_full_unstemmed | POESIA E DIPLOMACIA :CHINA E ÍNDIA EM DOIS POETAS PORTUGUESES CONTEMPORÂNEOS詩歌與外文:兩位葡萄牙人現代詩人筆下的中國和印度 |
| title_short | POESIA E DIPLOMACIA :CHINA E ÍNDIA EM DOIS POETAS PORTUGUESES CONTEMPORÂNEOS詩歌與外文:兩位葡萄牙人現代詩人筆下的中國和印度 |
| title_sort | poesia e diplomacia :china e índia em dois poetas portugueses contemporâneos詩歌與外文:兩位葡萄牙人現代詩人筆下的中國和印度 |
| url | https://www.icm.gov.mo/rc/viewer/pdfViewerParts/40051/2246 |
| zotero_collection_key | 76L3BRGH |