O PAVILHÃO DAS PEÓNIAS / THE PEONY PAVILION牡丹亭
This article analyzes Tang Xianzu's *The Peony Pavilion* (Mudan Ting) as a literary device that reconfigures Confucian ethical-political norms through female desire, taking the dream–death–rebirth cycle as its narrative axis. The author argues that the work, although often classified as a romantic d...
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| Published in: | Review of Culture |
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| Format: | Articles |
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Instituto Cultural de Macau
April 2011
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| Online Access: | https://www.icm.gov.mo/rc/viewer/pdfViewerParts/40038/3157 |