SHANGHAI DANCING
在此书评中,David Brookshaw审视了当代澳大利亚著名作家Brian Castro的《上海之舞》(2003)。Brookshaw将该作品定位为一部雄心勃勃的“虚构自传”,记述了Castro家族自20世纪30年代至60年代间跨越上海、香港与澳门的错综历史,并上溯至17世纪的葡荷冲突。书评着重强调了Castro的后现代手法,尤其是他将档案照片与家族记忆相融合、从而消解历史事实与虚构创作之间界限的精湛技艺。 Brookshaw深入探讨了小说在葡亚散居语境下的核心主题:去根化、混杂性以及身份认同的流动性。分析中相当篇幅聚焦于“舞蹈”这一隐喻,书评者将其解读为多层面的象征——既是存在意义上的...
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| Published in: | Review of Culture |
|---|---|
| Main Author: | |
| Format: | Articles |
| Published: |
Instituto Cultural de Macau
July 2003
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| Subjects: | |
| Online Access: | https://www.icm.gov.mo/rc/viewer/pdfViewerParts/40007/3898 |
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