SOBRE REPRESENTAÇÃO MIMÉTICA E QIXIANG :DISCRIMINANDO AS ARTES PICTÓRICAS CHINESAS關於模仿論與氣象:如何分別中國的繪畫藝術
The article discusses how to think about the specificity of Chinese painting without reducing it to categories produced by the European aesthetic tradition. Starting from the centrality of the concept of mimesis in the West—especially in the readings of Plato and Aristotle—the author argues that suc...
Saved in:
| Published in: | Review of Culture |
|---|---|
| Main Author: | |
| Format: | Articles |
| Published: |
Instituto Cultural de Macau
2016
|
| Subjects: | |
| Online Access: | https://www.icm.gov.mo/rc/viewer/pdfViewerParts/40051/2250 |
Similar Items: SOBRE REPRESENTAÇÃO MIMÉTICA E QIXIANG :DISCRIMINANDO AS ARTES PICTÓRICAS CHINESAS關於模仿論與氣象:如何分別中國的繪畫藝術
- ENTRE ARTES LIBERALES E LIUYI (SEIS ARTES):UM ESBOÇO DE CERTAS PECULIARIDADES DA CONCEPÇÁO CHINESA DE “ ARTE” NA DENASTIA HAN在博雅教育與六藝之間:略論中國漢朝藝術理念的某些特徵
- ARTE MUSICAL NA CHINA ARCAICA : À GUISA DE CONTEXTO中國古代的音樂藝術:一種思路
- CONTESTING THE LEVELS OF ILLEGALITY OF URBAN ART IMAGES IN CHINA中國都市藝術圖像的非/合法程度比拼
- PINTURA CONTEMPORÂNEA DE MACAU澳門當代繪畫
- AS DIMENSÕES DO CÂNONE:TEXTOS QUE BALIZARAM A TEORIA DA ARTE NA CHINA IMPERIAL殊途同歸:古代文藝論與經典正統
- THE CONFLICT AND MERGING BETWEEN EASTERN AND WESTERN CULTURES FROM THE PERSPECTIVE OF THE CHRISTIAN ART IN MACAO從澳門基督教藝術的角度看中西文化的沖突與融合