Ensaio Inicial: O reverso do Cânone: padrões de diletantismo artístico e de exclusividade social
This new text continues to explore the possibility of a critical comparative method applicable to the philosophy/history of Western and Chinese ideas. Drawing on Max Weber’s reflections on the development of musical instruments and their relationship with the advancement of what he calls “rationalit...
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| Published in: | Review of Culture |
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| Main Author: | |
| Format: | Articles |
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Instituto Cultural de Macau
2019
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| Online Access: | https://www.icm.gov.mo/rc/viewer/pdfViewerParts/40058/2618 |
| Summary: | This new text continues to explore the possibility of a critical comparative method applicable to the philosophy/history of Western and Chinese ideas. Drawing on Max Weber’s reflections on the development of musical instruments and their relationship with the advancement of what he calls “rationality” in the West, it considers the case of the Chinese zither. Furthermore, it refers to the concepts developed by Theodor Adorno to explain his view of music in European society during the first half of the twentieth century, seeking to understand the peculiarities of musical practice and appreciation among the |
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| ISSN: | 1682-1106 |