TOMÁS PEREIRA E A DIVULGAÇÃO DA TEORIA MUSICAL DO OCIDENTE NA CHINA徐日升和西方音樂知識在中國的傳播
This article analyzes the life and work of the Portuguese Jesuit Tomás Pereira (1645-1708), a central figure in the introduction of Western musical theory and practice to China during the Qing dynasty. The study highlights his role as a pioneer in Sino-Portuguese cultural and scientific exchange, un...
Saved in:
| Published in: | Review of Culture |
|---|---|
| Main Author: | |
| Format: | Articles |
| Published: |
Instituto Cultural de Macau
January 2004
|
| Subjects: | |
| Online Access: | https://www.icm.gov.mo/rc/viewer/pdfViewerParts/40009/3870 |
Similar Items: TOMÁS PEREIRA E A DIVULGAÇÃO DA TEORIA MUSICAL DO OCIDENTE NA CHINA徐日升和西方音樂知識在中國的傳播
- MAKING CLOCKS AND MUSICAL INSTRUMENTS :TOMÁS PEREIRA AS AN ARTISAN AT THE COURT OF KANGXI (1673-1708)時鐘和樂器制作:康熙朝廷的巧匠徐日升(1673-1708)
- THE INSCRIPTIONS ON TOMÁS PEREIRA’S TOMBSTONE AND THE ‘EDICT OF TOLERATION’ FROM THE EMPEROR KANGXI徐日升墓碑碑文與康熙皇帝“容教諭旨”
- ARTE MUSICAL NA CHINA ARCAICA : À GUISA DE CONTEXTO中國古代的音樂藝術:一種思路
- A DIVULGAÇÃO DO TABACO BRASILEIRO NA CHINA. A MIRAGEM DE UM MERCADO巴西煙草在中國的傳播:市場的幻覺
- PEGA AZUL : UMA AVE A ORIENTE E A OCIDENTE藍喜鵲:從東方飛到西方的鳥
- A NECESSIDADE DE HARMONIA NO ORIENTE CONFUCIONISTA E NO OCIDENTE LEIBNIZIANO東方孔學與西方萊布尼茲學之中所需的和諧